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	<title>Richard Beard &#187; Rugby</title>
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	<description>the Sporting World of Richard Beard</description>
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		<title>Clint Does Rugby</title>
		<link>http://www.richardbeard.info/2010/02/invictus-rugby-review/</link>
		<comments>http://www.richardbeard.info/2010/02/invictus-rugby-review/#comments</comments>
		<pubDate>Fri, 05 Feb 2010 22:22:59 +0000</pubDate>
		<dc:creator>Richard Beard</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Journalism]]></category>
		<category><![CDATA[Rugby]]></category>
		<category><![CDATA[Sport]]></category>

		<guid isPermaLink="false">http://www.richardbeard.info/?p=914</guid>
		<description><![CDATA[

The Real Thing

<p>There’s an old rugby saying: if you’re good enough, you’re big enough.  The actor Matt Damon would have to be very good indeed.  In Clint Eastwood’s new film Invictus, Damon plays the role of 1995 Rugby World Cup winning captain Francois Pienaar.  He is 5 inches shorter and 4 stones lighter – the [...]]]></description>
			<content:encoded><![CDATA[<dl id="attachment_916" class="wp-caption alignleft" style="width: 310px;">
<dt class="wp-caption-dt"><a href="http://www.richardbeard.info/wp-content/uploads/2010/02/ftmandela119.jpg"><img class="size-full wp-image-916" title="ftmandela119" src="http://www.richardbeard.info/wp-content/plugins/image-shadow/cache/79a5d9223eb7124c6401b357f830d4d1.jpg" alt="" width="300" height="261" /></a></dt>
<dd class="wp-caption-dd">The Real Thing</dd>
</dl>
<p>There’s an old rugby saying: if you’re good enough, you’re big enough.  The actor Matt Damon would have to be very good indeed.  In Clint Eastwood’s new film <em>Invictus</em>, Damon plays the role of 1995 Rugby World Cup winning captain Francois Pienaar.  He is 5 inches shorter and 4 stones lighter – the All Blacks would snap him in half.</p>
<p>At 5’10” Matt Damon is also shorter than Nelson Mandela (6’1”), who in Eastwood’s film is played by Morgan Freeman (6’2”).  Winning the World Cup as the shortest man in the room is the kind of exploit that Hollywood loves.</p>
<p><em>Invictus</em> is based on John Carlin’s book <em>Playing the Enemy</em>, which describes Nelson Mandela’s use of rugby to seduce white South Africans to his vision of the Rainbow Nation.  ‘Don’t address their brains,’ he said at the time, ‘address their hearts.’  And deep in the Afrikaaner heart is a love of Rugby Union. </p>
<p>For a potential Oscar-winning Hollywood blockbuster, the obscurity of rugby   presents a problem.  What, exactly, is this strange-looking game? The bemused film critic of the Tucson Weekly described the <em>Invictus</em> sports action as ‘a bunch of guys groaning a lot,’ while over at the Kansas City Star rugby ‘pretty much looks like a group mugging.’</p>
<p>Over here, though, everything will be different.  We know what rugby is supposed to look like.</p>
<p> Unfortunately, I’ve seen <em>Invictus</em> and rugby doesn’t look like this.  As with any sporting setback, it’s not fair to place all the blame on the captain.  Matt Damon isn’t given much of a team.  His stand-in Springboks look like college boys, though not necessarily students of acting, and their emotional range is limited even for rugby players.  They sometimes cross their arms to express indignation.</p>
<p>These are pat-a-cake Springboks led by mini-Matt Damon and they will never win the Webb-Ellis Trophy.  In that sense, the casting is perfect for the formula – Nelson can lick the boys into shape. If they follow his crazy reconciling ways, then one day, perhaps at a World Cup on home soil, they will ultimately prevail.</p>
<div id="attachment_915" class="wp-caption alignleft" style="width: 219px"><a href="http://www.richardbeard.info/wp-content/uploads/2010/02/themightyducks_3.jpg"><img class="size-medium wp-image-915" title="themightyducks_3" src="http://www.richardbeard.info/wp-content/plugins/image-shadow/cache/23a206d20fa8ec1ec60fab04cab27bb7.jpg" alt="" width="209" height="300" /></a><p class="wp-caption-text">The Anxiety of Influence</p></div>
<p>Eastwood, too, is in the business of addressing hearts and not brains.  Mandela is a complicated man in a troublesome country, but as with the rugby it’s easier to keep things simple.  The Mandela bio-pic soon becomes a plot-standard sports movie: he’s black, he’s from the wrong side of the tracks, but can kindly ex-con Nelson Mandela inspire a bunch of undersized students to become Rugby Champions of the World?</p>
<p>Maybe he can, if these actor Boks show they know their rugby.  I certainly hadn’t written them off in advance, especially as in America <em>Invictus</em> was rated PG 13, for ‘brutal sport action’.</p>
<p>Which is exactly what rugby should provide, when played properly.  By ‘properly’, I mean as we’re used to seeing it on TV, most of the weeks of the year.  To capture the full dynamism and grace of the game, and also the brutality, TV sticks to the basics.  High-spec cameras follow the action. </p>
<p>In <em>Invictus</em>, because the players aren’t a patch on the real thing, the camera does exactly the opposite.  It obscures the action.  Eastwood keeps cutting away, and no single sporting sequence is allowed to develop.</p>
<p>I can see just enough to make out that Springbok fly-half Joel Stransky is having a bad day with the boot.  He can’t punt a rugby ball, and his incompetence is so striking (in a Test Match, Brian!) that I want to see immediate replays of his flawed technique. </p>
<p>That’s my Pavlovian TV-spectator response to unusual sports phenomena, a category that includes all the rugby in this film.  I want Eddie Butler to explain why the wingers don’t sprint and the Samoans are weak in defence.  Is it the altitude?  Have the All Blacks been poisoned?  And why has Andrew Mehrtens appeared in a World Cup final wearing an Andrew Mehrtens wig?</p>
<p>Instead of this sense of involvement, I gradually realise I’m watching the one activity on earth that is as far from real life as it’s possible to get: the rugby looks like amateur dramatics. </p>
<p>And in <em>Invictus</em> there’s no escape, because the ‘95 Final is shown at length, almost thirty minutes of ersatz rugby action. The fearsome Jonah Lomu is replaced by a slightly chubby student.  He is occasionally jumped on by other students, but before we can assess his contact skills the camera cuts to another unrelated set-up.  There are scuffed kick-offs and elementary back-moves, all performed at rehearsal pace so as not to confuse Wisconsin.</p>
<p>Eastwood knows something is wrong.  How could entire nations be in thrall to <em>this</em>?  He therefore decides that the fervour of rugby is best expressed by sound-effects.</p>
<div class="mceTemp">
<div id="attachment_917" class="wp-caption alignleft" style="width: 246px"><a href="http://www.richardbeard.info/wp-content/uploads/2010/02/BatmanAndRobin.jpg"><img class="size-medium wp-image-917" title="BatmanAndRobin" src="http://www.richardbeard.info/wp-content/plugins/image-shadow/cache/1c06d886d4bc8f40957a67e102ad8c9c.jpg" alt="" width="236" height="300" /></a><p class="wp-caption-text">Springbok Back Line</p></div>
<p>In <em>Invictus</em>, the major injury risk to the players is earache.  Every tackle boofs like a blunt object thumped into stuffed leather, and out comes the stuffing as grunts and oomphs.  This is the aural equivalent of the Batman biff and boom.</p>
<p>Just when the rugby can’t get any worse, the match goes slow-mo.  On television, slow-motion exists to repeat the interesting bits.  In feature films, it means the emotional heft is so weighty that time stands still.  Or feels like it does.</p>
<p>As the action slows, so does the sound.  Ellis Park fills with whale-song, as the groans wallow deeply from one amateur tackle to the next.  The Springbok fly-half Joel Stransky, who isn’t Stransky and who has forgotten his kicking boots, is calling for the ball in slow-audio, an unintelligible last word direct from a Hollywood battlefield, possibly Iwo Jima, and I expect him at any moment to receive (tragically) a solitary bullet between the eyes. </p>
<p>Instead he pops over a drop goal.</p>
<p>Clint gives rugby the fatal Hollywood treatment.  In doing so, he undermines his film about Nelson Mandela, the nature of leadership, and the new South Africa.</p>
<p>In the best Hollywood sports films, usually about baseball or boxing, the protagonists are allowed to be grown men.  Their lives depend upon their sport.  The 1995 Springboks were also men, much closer to the flawed and grizzled heroes of Eastwood’s earlier work than they are to the college-boys of <em>Invictus</em>.  They were playing for their old life and their new life, and also for themselves. </p>
<p>It does the truth of the story a disservice to insist, less than fifteen years after the event, that Mandela and the Boks can be simplified to serve the narrative conventions of this film.  The rugby is central to this weakness.  It becomes apparent long before the end that the epiphany of <em>Invictus</em> depends on the Springboks winning the Cup.</p>
<p>South Africa win.  The film ends, and as choral arrangements squeeze the last sentimental tear from any dry eye, the credits roll against a montage of still photographs from the final.  The real one. </p>
<p>There is a photograph of Nelson Mandela, the great man himself, at Ellis Park before kick-off.  He is famously wearing the No.6 Springbok jersey, in green-and-gold, and he looks tiny against the blonde Afrikaaner bulk of Pienaar, the man he called ‘captain of rugby’.  Anyone genuinely inspired by Nelson Mandela, and indeed by the game of rugby itself, will know that the triumph would have been as great if South Africa had lost.</p>
</div>
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		<title>Psychotic French Superheroes</title>
		<link>http://www.richardbeard.info/2009/09/psychotic-french-superheroes/</link>
		<comments>http://www.richardbeard.info/2009/09/psychotic-french-superheroes/#comments</comments>
		<pubDate>Wed, 09 Sep 2009 19:51:57 +0000</pubDate>
		<dc:creator>Richard Beard</dc:creator>
				<category><![CDATA[Rugby]]></category>
		<category><![CDATA[Translation]]></category>

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		<description><![CDATA[
<p>I was reminded about this because I was thinking about the translator Marie Rennard, who came up with the title Le Rugbyman Nomade. In French, ‘le rugbyman’ is a commonly used term for those lucky souls with a passion for the sport of rugby. However, it means more than that, just as ‘le cricketman’ would [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_838" class="wp-caption alignleft" style="width: 214px"><img class="size-medium wp-image-838" title="batman-color" src="http://www.richardbeard.info/wp-content/plugins/image-shadow/cache/abbda0dcba657f0b3d88376f96e4e9a1.jpg" alt="'mental about fighting'" width="204" height="300" /><p class="wp-caption-text">&#39;mental about fighting&#39;</p></div>
<p>I was reminded about this because I was thinking about the translator <a href="http://rennard.canalblog.com/">Marie Rennard</a>, who came up with the title <a href="http://www.champendal.com/docs/Le_Rugbyman_Nomade_Richard_Beard.pdf">Le Rugbyman Nomade</a>. In French, ‘le rugbyman’ is a commonly used term for those lucky souls with a passion for the sport of rugby. However, it means more than that, just as ‘le cricketman’ would be someone with more than a casual interest in cricket. ‘Le rugbyman’ is a rugby nutter. He’s mental about rugby. This is because the ‘man’ in ‘le rugbyman’ comes from the wide-eyed man in maniac.</p>
<p>I’ve always liked this false-friend aspect of ‘Le Rugbyman’, as if everyone who plays rugby is indeed a superhero, with a big R in a shield across the front of his stripey jersey. Bird, Plane, Rugbyman – <a href="http://dru-withoutamap.blogspot.com/">Dru</a> could draw this in her sleep.</p>
<p>Knowing that the man comes from the maniac has wider consequences when the French meet our English-language superheroes. I mean the real ones.</p>
<p>Spiderman, pronounced Speederrhhman, is a confused newspaper reporter who is mental about spiders. Superman is a general, all-round, 24-hour basket-case – Supermaniac. He is the maniac above all others. Either that, or he just loves everything that’s super. He’s the original Hero of Super, a Superhero.</p>
<p>Batman gets a double misunderstanding, but barely suffers (he’s superhuman) in translation. Small French boys love Batman, but not because he has a friend called Robin or was bitten by a bat as a child. They’re immediate fans because here they have a superhero, just like them, who loves to ‘battre’. He’s Batman, a maniac about fighting, which about sums him up.</p>
<p>Language. What a Marvel.</p>
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		<title>Che on a Dart Down the Blindside: Times Notebook</title>
		<link>http://www.richardbeard.info/2007/09/che-on-a-dart-down-the-blindside-times-notebook/</link>
		<comments>http://www.richardbeard.info/2007/09/che-on-a-dart-down-the-blindside-times-notebook/#comments</comments>
		<pubDate>Wed, 26 Sep 2007 15:13:37 +0000</pubDate>
		<dc:creator>Richard Beard</dc:creator>
				<category><![CDATA[Rugby]]></category>
		<category><![CDATA[Sport]]></category>
		<category><![CDATA[Politics]]></category>

		<guid isPermaLink="false">http://ceinewydd.com/richardbeard2009/wordpress/?p=33</guid>
		<description><![CDATA[<p>Old boys of the empire rugby nations are often charicatured as red-faced buffoons in blazers with wire badges, but elsewhere the game has a different feel, a stubborn history of social dissent and non-conformism.</p>
<p>In Italy, Benito Mussolini re-branded rugby as palla ovale, deciding it was an evolution of the classic Roman games feninda and harpastum. [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-medium wp-image-273" title="che-guevara" src="http://www.richardbeard.info/wp-content/plugins/image-shadow/cache/ab4a6d7b0c3f04d84c1d9d3f5725e32b.jpg" alt="che-guevara" width="199" height="300" />Old boys of the empire rugby nations are often charicatured as red-faced buffoons in blazers with wire badges, but elsewhere the game has a different feel, a stubborn history of social dissent and non-conformism.</p>
<p>In Italy, Benito Mussolini re-branded rugby as palla ovale, deciding it was an evolution of the classic Roman games feninda and harpastum. This new and frankly surprising Italian pedigree qualified the game to serve as a vehicle for fascist unity, and by 1927 rugby had its own propaganda committee. Palla ovale was going to revitalize Italian masculinity while teaching the subjugation of the individual to the needs of the group.</p>
<p>Rugby wouldn’t oblige. Despite the team framework, the game has always favoured individualism, from the moment in 1823 when William Webb Ellis first picked up the ball ‘with a fine disregard for the rules.’ Disobedience is at the source. <span id="more-33"></span></p>
<p>Mussolini found rugby inconveniently resistant to authority, the after-match irreverence as important to the players as the game itself. He dropped the sport in disgust, and for fascist purposes turned to volata, a malleable kind of handball.</p>
<p>These days, Italian rugby players are non-conformist simply because they’re not playing football. The same is true in the USA, where the football not being played is the gridiron game with pads and helmets. Rugby is the dissenting alternative, and many of today’s U.S. clubs were founded or revived at the time of student unrest in the 1960’s.</p>
<p>Rugby was part of a general campus awakening. Any big lads who fancied a ruck but also long hair and peace, man, rejected the authoritarian structures of American football. They wanted freedom, not drill-sergeant coaching routines, and because rugby was free of institutional funding it could be organized in a co-operative spirit by the players themselves.</p>
<p>It was in his rebellious student period that George W Bush played fullback for Yale. If the future president retained little from his exposure to the joys of non-conformism, then the same can’t be said for Ernesto ‘Che’ Guevara.</p>
<p>There’s no doubting Che’s commitment. He loved rugby despite crippling asthma attacks and the disapproval of his father, and his team-mates gave him the affectionate nickname ‘Furious’. He founded and edited a rugby magazine called ‘Tackle’, and as a student world revolution came second to his passion for a game that rewards inspired leadership and a love of tumult.</p>
<blockquote><p>Anyone with a fondness for this non-blazered tradition will be hoping that at the World Cup Argentina can continue to disrupt rugby’s established world order. Intelligent, aggressive, unapologetic, the Pumas are playing as if their compatriot Che was giving the pep-talk: “The revolution is not an apple that falls when it is ripe. You have to make it fall.”</p></blockquote>
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		<title>Samurai Rugby: The Way of the Warrior: Times Notebook</title>
		<link>http://www.richardbeard.info/2007/09/samurai-rugby-the-way-of-the-warrior-times-notebook/</link>
		<comments>http://www.richardbeard.info/2007/09/samurai-rugby-the-way-of-the-warrior-times-notebook/#comments</comments>
		<pubDate>Wed, 19 Sep 2007 10:06:53 +0000</pubDate>
		<dc:creator>Richard Beard</dc:creator>
				<category><![CDATA[Rugby]]></category>
		<category><![CDATA[Sport]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Martial Arts]]></category>

		<guid isPermaLink="false">http://ceinewydd.com/richardbeard2009/wordpress/?p=64</guid>
		<description><![CDATA[<p>Men and women all over the world would like to be fearless, tough, stoical, and accepted into an amiably like-minded team that wants and needs to work together.  It’s not just New Zealanders.  This explains why the game of rugby is spreading, and the less established rugby nations growing stronger.</p>
<p>Different countries take the [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.richardbeard.info/wp-content/plugins/image-shadow/cache/9a46254a476c29c5e3f6d2cc802d340e.jpg" alt="165167464_f7587f1acb" title="165167464_f7587f1acb" width="202" height="300" class="alignleft size-medium wp-image-177" />Men and women all over the world would like to be fearless, tough, stoical, and accepted into an amiably like-minded team that wants and needs to work together.  It’s not just New Zealanders.  This explains why the game of rugby is spreading, and the less established rugby nations growing stronger.</p>
<p>Different countries take the universal rugby values and shape them in different ways, and Japan is a good example.  Watch closely the next time a Japanese player is replaced during a match.  He will turn after crossing the white line and bow to the opposition, to his team-mates, to the pitch itself.  This is a ritual familiar from martial arts  – the rugby player is saluting his large open-air dojo. <span id="more-64"></span></p>
<p>In Japan, rugby shares history with judo and kendo as a vehicle for keeping alive the samurai ideals of bushido, the way of the warrior.  When the game entered the country through the port cities of Yokohama and Kobe more than a hundred years ago, a modernising Japan was looking to graft ancient values onto activities that didn’t involve swords and necks.</p>
<p>The martial arts of the pre-Meiji era samurai were collectively known as bujitsu.  The values that derived from these combat skills, and crossed over into the modern age, became budo.  In that sense, bujitsu is to budo what jujitsu is to judo, the latter a codified and sanitised version of the former.  At first glance it seems that rugby is more of a budo sport, especially as a striking feature of Japanese rugby is the lack of violence outside the rules.  There is a reason for this: the game provides for plenty of violence within the rules.  </p>
<p>Rugby’s unabashed mayhem makes the game more bujitsu than either kendo or judo, and socially it was preferable because a team sport allowed elite samurai values to be introduced quickly and efficiently to a wider population.  This is how rugby found its way into the new national education system, so that there was already a high-school national championship by 1918.  </p>
<p>Ever since, Japanese rugby has continued to encourage and instil the samurai virtues of seishin ryoku  (spiritual strength).  In rugby there will always be takers for ganburu (do your absolute best) isshokenmei (give everything), konjo (bottle) and gaman (endurance and perseverance).</p>
<p>Whereas Western sports-people grow fit on a dual philosophy of healthy body healthy mind, Japanese sports involve a third element, the spirit.  The concept of seishin implies body, mind, and spirit, all three together the vital ingredients for success.</p>
<p>This is where the established nations can learn from those they usually disregard.  The 6 Nations teams are physically honed and psychologically tuned, yet when these preparations fail they promise at least to play with ‘heart’.  They haven’t fully understood what’s required.  They don’t have the language.</p>
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		<title>Ceci n&#8217;est pas un ballon: Times Notebook</title>
		<link>http://www.richardbeard.info/2007/09/ceci-nest-pas-un-ballon-rugby/</link>
		<comments>http://www.richardbeard.info/2007/09/ceci-nest-pas-un-ballon-rugby/#comments</comments>
		<pubDate>Tue, 11 Sep 2007 08:50:40 +0000</pubDate>
		<dc:creator>Richard Beard</dc:creator>
				<category><![CDATA[Rugby]]></category>
		<category><![CDATA[Sport]]></category>
		<category><![CDATA[France]]></category>
		<category><![CDATA[French]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[Richard Beard]]></category>
		<category><![CDATA[Times Notebook]]></category>

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		<description><![CDATA[<p>Visitors to this year’s Rugby World Cup will notice, at least during daylight hours, that the natives are speaking a foreign language. This is the first tournament hosted by a non-English-speaking nation, and in its rugby vocabulary France insists that the game is more than muscles and bish-bosh, even at scrum-time.</p>
<p>Le scrum is not a [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.richardbeard.info/wp-content/plugins/image-shadow/cache/30792b43e8e59927a8b94359c36c7224.jpg" alt="le-rugbyman-nomade" title="le-rugbyman-nomade" width="195" height="300" class="alignleft size-medium wp-image-277" />Visitors to this year’s Rugby World Cup will notice, at least during daylight hours, that the natives are speaking a foreign language. This is the first tournament hosted by a non-English-speaking nation, and in its rugby vocabulary France insists that the game is more than muscles and bish-bosh, even at scrum-time.</p>
<p>Le scrum is not a word that rugbymen across the Channel decided to adopt. They could have done so, alongside le drop, but for the heart of the battle they revived instead la mêlée, a word last used in a competitive context in the 11th century. In the medieval period la mêlée was used to describe collisions of courtly knights in mock battles. Plus ça change. In rugby, too, elite specimens of French manhood display skill and courage while risking injury. They strive at a contest invested with ancient virtues such as honour, loyalty, perseverance, self-control and, once the lists are over, courtesy and hospitality.</p>
<p>English-speaking rugby arrives at a similar place by way of 19th-century muscular Christianity, but the vive la différence is in the detail. The troubadours who immortalised the original mêlées first emerged in Languedoc, one of France’s most passionate rugby regions. Among other chivalric ideals, these singing, drinking raconteurs also popularised notions of courtly love, and the French language allows modern rugby knights to compete for their own aloof and highly valued elle, the ball itself.</p>
<p>For “ball”, footballers in France kick about le ballon. La balle is more commonly chased by rugbymen, especially in the South, and the feminine noun more accurately suits a Gallic idea that the unpredictable, infuriating rugby ball, never bouncing in the expected direction, has to be female. She’s unreliable, desirable, valuable, dangerous. Elle, elle, elle, they say, and of course they’re talking with reverence about the ball.</p>
<p>It’s the shape of this ball that has led to another, newer term, L’Ovalie. This refers to an entire rugby-shaped world-view. L’Ovalie is life through oval-framed spectacles, with the game at the centre of a robust, good-humoured, staunch, well-fed, half-cut attitude of romanticised independence. L’Ovalie appeals to the oppositional instincts in the French soul that have always been well served by rugby – oval against round, villages against towns, the South West against Paris, and, in the international arena, Francophones against the global Anglophone conspiracy.</p>
<p>Rugby union needs the teams that don’t speak English. Without them, the sport can look like an old boys’ gathering of ageing Home Nations and bullying former colonies, all with a patronising disdain for anyone who can’t immediately find a rhyme for rugger.</p>
<p>Sadly for the French, their first match on home soil was against the other nonEnglish speaking country to have made serious international progress. Merde.</p>
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